China Doll from Lisbon

People are fighting over pebbles as if they are diamonds. Am I a pebble or a diamond?

Just read over Dead China Doll’s entries from 2005. They are still hanging on my blog homepage. I thought reading them would help get them off my page… (what’s the deal? ) I just want to tell you, since you seem to have closed off all other venues, that you are f**king amazing! Truly! And open up your comment section and stop competing with me in MySpace anti-sociability, goddamit!

There’s a time for meditation and a time for action. I am so relieved that my time for meditation has finally arrived.  I soooooo deserve this, the calm between the storms. Fortification is much needed for future battles.

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About Chin-Chin 沁沁

I work with lens-related media. The core of my work examines the human condition through the exploration, inquiry, and deconstruction of notions of body identity, desire, eroticism and/or sexuality. I also write occasional articles on images for a couple of venues (I should find the time to do it more). Reflecting on images and provoking unusual connections are part of what makes my pulse quicken. I live in Paris the City of Lights since the last millennium. I should mention that I'm Chinese by birth and American by citizenship, with a few other residencies on other continents thrown in between. Being a diasporic "Chinese-American” with a migratory past has given me a unique vantage point to gain postmodern insight, to break away from metanarratives where "validity" and "legitimacies" reside. I'd like to quote French philosopher and theorist Jean-François Lyotard who states in The Postmodern Condition: "Postmodern knowledge is not simply a tool of the authorities; it refines our sensitivity to differences and reinforces our ability to tolerate the incommensurable."

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