My Pact with MySpace

It is clear that I have a MySpace addiction, characterized by mindlessly clicking the “home” icon every five seconds for God knows what reason. Therefore, I decided to draw a pact with myself concerning my MySpace behaviors. This is the first draft:

1. I will log in once a day maximum (and not in the mornings), except to post new entries on my blog. The time spent interacting socially with fellow Myspacers will be limited to under 30 minutes.

2. If you want me to stay informed of your life, invite me for subscription to your blog and make it a work of art (I really do read my subscription posts and post blog comments when I see fit). Otherwise, I will not visit my friends’ profiles on any regular basis.

3. I’m always looking for literary and artistic affliations. If you are a brilliant writer/poet/theorist/artist, I’d love to continue our exchange on MySpace. If you’d like to collaborate with me on an art project, or model for me, please contact me in order to meet in person. I’ll do the same.

4. I’ll read the bulletin boards sporadically but probably won’t feel the urge to respond. I really appreciate people who post thought-provoking bulletins sparingly. I’m also a big sucker for striking imagery and/or surprising juxtaposition of words.

5. I’ll continue to respond to blog comments if I think it contributes to going deeper into the subject matter discussed. I can’t decide if this counts as interacting socially with MySpacers or not , but I am the sole person responsible for my behavior and I take full responsibility for any breach with this pact.

I’d be interested in hearing your pact with the MySpace devil.

This entry was posted in Life, MySpace on by .

About Chin-Chin 沁沁

I work with lens-related media. The core of my work examines the human condition through the exploration, inquiry, and deconstruction of notions of body identity, desire, eroticism and/or sexuality. I also write occasional articles on images for a couple of venues (I should find the time to do it more). Reflecting on images and provoking unusual connections are part of what makes my pulse quicken. I live in Paris the City of Lights since the last millennium. I should mention that I'm Chinese by birth and American by citizenship, with a few other residencies on other continents thrown in between. Being a diasporic "Chinese-American” with a migratory past has given me a unique vantage point to gain postmodern insight, to break away from metanarratives where "validity" and "legitimacies" reside. I'd like to quote French philosopher and theorist Jean-François Lyotard who states in The Postmodern Condition: "Postmodern knowledge is not simply a tool of the authorities; it refines our sensitivity to differences and reinforces our ability to tolerate the incommensurable."

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