India, screening at a medical conference, et al.

 

It is not the language but the speaker that we want to understand.

Veda Upanishad

I have noticed that between plans for the holiday season, end-of-the-year work and art obligations, I have been very absent on the blogging front. I have also been spending way too much time on Facebook planning my trip to India (why is everybody on Facebook these days?), so this is my occasion to say “hi.”

Here’s the itinerary stripped down to the bare essentials, with some further fine-tuning needed (Everything in bold is SET IN STONE!):

* * *

13 Dec, 23:00 Delhi, arrival at Gandhi International Terminal 2 (Air India 7148)

15 Dec – 22/23 Dec: Rajasthan: Udaipur, Jaisalmer, (Pushkar?), Jaipur (transit), Agra (Taj Mahal, Fatehpur Sikri)…

22/23 Dec: overnight train from Agra to Varanasi (Benares, holy city on the Ganges).

23/24-29 Dec: days in Varanasi, day trip to Sarnath (Buddhist holy site)

29 Dec: overnight train to calcutta, fly to Goa

30 Dec – 2 Jan: Days on the beach

2 Jan: Jaie returns from Goa to Delhi, flight back to London.

3-7 Jan: either take the train to Hampi, Karnartika or follow Anita to Kerala (undecided!!)

3-4 (maybe 5) Jan: 48-hour drive through the Karnataka and Kerala coast to meet Anita’s mom in Cochin!

after: south India stuff – Anita, Sammi, Amanda, Ahmad and CC – the Lakshdveep (I think this may be too ambitious for me given the time frame).

7 Jan, fly from Cochin or Bangalore to Delhi

8 Jan, 1:20 Delhi, departure from Gandhi International Terminal 2 (Air India 7147)

8 Jan, 5:40 Paris, arrival at Charles de Gaulle Terminal 2E

Things I don’t want to miss:

- Meet a Vedic astrologer. Anita do you know a good one?
- I need to buy some Indian traditional music as well as meditation music. BTW, what are some gifts that Indian people appreciate?
-Good ayurvedic massages
-Meditation and yoga
- I need to buy some sculptures, preferably in wood or stone, silver jewlery…
- Many more things that I’m too tired to think of now…

Anyone been to India? Any good advice?

Am making a flyer now for an international medical congress that I’m going to be participating next Wednesday entitled, “Esthétique de la vulve: critique et techniques” (aesthetics of the vulva: critiques and techniques). Some 150 doctors and plastic surgeons around the world are going to be gathering together to discuss the ethical implications of plastic surgery on the vulva, a recent global phenomenon in vogue.

My short film on the female genitalia project will be screened at the end of the conference, and I hope to learn new things and meet people of interest for my research. I also got a stolen Powerpoint presentation of a renowned plastic surgeon in Beverly Hills called Dr. Matlock. His slogan? – “Medicine is business.” Dr. Matlock holds a M.D. as well as a MBA in medical business. The Powerpoint is hilariously engaging and unintentionally parodistic to the plastic spirit of Beverly Hills, THE mecca of cosmetic surgery in the world.

Report coming shortly on that front. I am also cleaning up my thesis for possible publication in France. That’s a lot of work before I leave for Delhi! And my head is full of India, and needlessly to say, of pussies .

Currently reading :
The Birth of Tragedy and The Case of Wagner
By Friedrich Nietzsche
Release date: 12 April, 1967
This entry was posted in Art, Avant-garde, Experimental art, female genitalia, labia, Life, Sexe féminin on by .

About Chin-Chin 沁沁

I work with lens-related media. The core of my work examines the human condition through the exploration, inquiry, and deconstruction of notions of body identity, desire, eroticism and/or sexuality. I also write occasional articles on images for a couple of venues (I should find the time to do it more). Reflecting on images and provoking unusual connections are part of what makes my pulse quicken. I live in Paris the City of Lights since the last millennium. I should mention that I'm Chinese by birth and American by citizenship, with a few other residencies on other continents thrown in between. Being a diasporic "Chinese-American” with a migratory past has given me a unique vantage point to gain postmodern insight, to break away from metanarratives where "validity" and "legitimacies" reside. I'd like to quote French philosopher and theorist Jean-François Lyotard who states in The Postmodern Condition: "Postmodern knowledge is not simply a tool of the authorities; it refines our sensitivity to differences and reinforces our ability to tolerate the incommensurable."

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