Trainspotting

Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed-interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who you are on a Sunday morning. Choose sitting on that couch watching mind-numbing spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing you last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life… But why would I want to do a thing like that?

(This is the poem by John Hodge. Then Renton finishes it off:)

I chose not to choose life: I chose something else. And the reasons? There are no reasons. Who need reasons when you’ve got heroin?

Currently reading :
The Last Days of Socrates (Penguin Classics)
By Plato
Release date: 29 April, 2003

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About Chin-Chin 沁沁

I work with lens-related media. The core of my work examines the human condition through the exploration, inquiry, and deconstruction of notions of body identity, desire, eroticism and/or sexuality. I also write occasional articles on images for a couple of venues (I should find the time to do it more). Reflecting on images and provoking unusual connections are part of what makes my pulse quicken. I live in Paris the City of Lights since the last millennium. I should mention that I'm Chinese by birth and American by citizenship, with a few other residencies on other continents thrown in between. Being a diasporic "Chinese-American” with a migratory past has given me a unique vantage point to gain postmodern insight, to break away from metanarratives where "validity" and "legitimacies" reside. I'd like to quote French philosopher and theorist Jean-François Lyotard who states in The Postmodern Condition: "Postmodern knowledge is not simply a tool of the authorities; it refines our sensitivity to differences and reinforces our ability to tolerate the incommensurable."

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